To test this, I placed audio on a loop and A/B’ed Ozone 7 Vintage Compressor against Version 8’s on the same preset with the same settings. The Vintage Compressor also has improved ballistics and sound quality. In operation, the new module really rounds out a mix in a way that’s not too intrusive.
Vintage Tape has added a new 7.5 IPS settings that will bring in non-linear saturation to add a big, low end to tracks. I do however wish there was a key modifier to adjust both sides of the Action Region at the same time and a mix or intensity slider would help blend in a little of the original if needed. The tool works great to tame harsh areas in a mix and is very easy to use. The Action Region can then be used to visually monitor dynamics control by clicking the Gain Trace icon on the left side of the “Action Region”. Positive will increase the highs while negative emphasizes the lows. Three choices of Light, Medium or Heavy processing can be selected along with Attack, Release, and a Tone slider, which works similar to a tilt EQ to enhance the Timbre of the processing. Once the area is located, a Threshold can set and further fine-tuned by using the “Listen” feature to hear when processing will occur. The area can be honed further by dragging the corners of the Action Region to widen or narrow the region. By using the “Action Region” across the top, frequency regions can be selected, moved, and soloed to find the problem area.
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Spectral Shaper uses technology of the same name to tame frequencies in a track or even a full mix.
This is a new module and standalone plugin exclusive to Advanced. I do miss the “Smooth” and “Transparent” markers on the Character of the Maximizer but overall the interfaces look much more uniform. The interface has definitely been overhauled with some settings being rearranged and may take a little getting used to. If those features weren’t enough, Ozone Advanced have added a slew of new features to bolster the almost $200 price increase. This gives ultimate control of mastering all inside of one window. On top of offering every mastering type tool imaginable, the standalone version can incorporate non-iZotope VST plugins installed on the computer as well. The standalone version functions in the same way, but allows for stereo audio tracks to be added into the interface and individually processed. On the right-hand side of the interface is the I/O section complete with many tools to further enhance mixing and mastering. Ozone 8 Advanced comes with 6 slots with a choice of 12 modules: EQ, Vintage EQ, Vintage Tape, Exciter, Vintage Compressor, Dynamics, Dynamic EQ, Spectral Shaper, Imager, Post EQ, Vintage Limiter, and Maximizer. Across the top section, different processing “Modules” appear as blocks that can be rearranged, added, or deleted to create an ideal mastering signal chain. Since Ozone 7 has already been reviewed ( Review Here), this review will concentrate on the new features that are packed in Ozone 8 Advanced.Īt its core, Ozone is a modular mastering application capable of running as a plugin in a DAW or as its own program. On top of giving more modules, each one can be used as a standalone plugin.
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Of course, everything listed in the previous versions plus Vintage Tape, Vintage Compressor, Vintage EQ, Spectral Shaper, Coded Preview, and Tonal Balance Control. Standard can also be used as a standalone application with third party plugin hosting. Elements features the new Master Assistant which helps create a starting point for masters, Maximizer, Imager, 1 EQ Module, I/O Section, Audition Panel, Undo History, and plenty of great presets.įeatures everything included in Elements plus Dynamics, EQ with additional Multi-Band Dynamics, an additional post EQ Module, additional IRC’s and improvements in the Maximizer, Exciter, Vintage Limiter, and new Track Referencing. Imager features an easy to use interface with helpful spectral graphs to show how the plugin is handling the audio. Ozone Imager can take narrow sounding tracks and mixes and instantly widen them, all while avoiding the many artifacts that come with widening the stereo field. Imager is based off of the very imaging built into Ozone 8 and loaded into a single plugin.
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Similar to Neutron’s Neutrino plugin, the Ozone Imager is a free stereo enhancing plugin. Like Neutron 2 ( review here), Ozone 8 comes in several versions to cater to different price points and applications for artists and engineers.
Ozone is the premiere mastering software, with a bundle of plugins that can even venture into mixing applications. The Ozone mastering suite has been through many iterations.
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